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„Jedes Mal, wenn mir jemand sagt, wie scharf mein Bild ist nehme ich an, dass es sich nicht um ein sehr inter­es­santes Foto handelt. Wenn es so wäre, dann hätte man mehr zu sagen.“
- Author unknown -

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Nether­lands classics 

Oh man, what’s wrong with my timing? Pheno­menal golden light shines on the land­scape in front of me. I look at my car’s spee­do­meter. I’m already going a little too fast. And there are speed cameras ever­y­where here in the Nether­lands. Two more turns. Damn, another red light. Maybe it’ll stay red for another 10 minutes, who knows. Just a few more metres and I’ll reach the car park, but then the great light was gone. But the clouds look promi­sing. Don’t give up too soon, I thought to myself, and we set off along the path past these beau­tiful wind­mills in the Netherlands.

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22. August 2025 

Wood­land photo­graphy at twilight 

I recently spent a few days travel­ling with my family in the Nether­lands and disco­vered a lovely little forest with some inte­res­ting trees close to the beach. However, the weather during those days was a bit unpre­dic­table. It was either pure suns­hine or pouring rain. Neither of these condi­tions encou­raged me to go outside and take photos in the forest. How could I still get some great shots? Then I had an idea. I’ll go when the sun isn’t bothe­ring me. Blue, diffuse, mystical. In this blog/vlog, I’ll show you why the blue hour is an under­rated time for forest photography. 

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15. August 2025 

One lens for everything 

FOMO – Fear of missing out. I think we all know what that is, right? Some­times it’s really bad for me. When the weather is great and I have to work or I have other plans, I get it – the fear of missing out on the perfect shot. That’s why I quickly expanded my lens coll­ec­tion. It ranges from 16 mm to 400 mm. Now it even goes up to 600 mm. With a tele­con­verter, that’s actually 1200 mm. I usually have ever­y­thing with me so I don’t miss a shot. What happens? Some­times you miss the shot anyway. Chan­ging lenses takes time. Setting out with only one focal length helps crea­ti­vity; it’s limi­ting on the one hand, but it gives you freedom on the other. If I had to give up all my lenses except one, which one would I keep?

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8. August 2025 

Incre­dibly diverse — the dune land­scape of the Netherlands 

Phew… I worked up a sweat again. I had already realised that the condi­tions were going to be fanta­stic that evening. I had scouted out a spot, but hadn’t had time to check it out yet. It should actually be fine if I get there early and have a look around. However, I hadn’t reckoned with my children and so — as a father of two — I ended up with less time than I had hoped. But see/read for yourself.

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1. August 2025 

Bild­be­ar­bei­tung in Luminar Neo 

Skylum had asked me if I knew Luminar? Yes, I said, of course! But so far I’ve only ever used it for one or two effects as a plugin in Photo­shop. Perso­nally, I think the color harmony func­tion is bril­liant. Luminar has changed a lot in the last few years. Can it also prove itself as a “stand-alone” in a complete image editing work­flow? And has it really become as fast as promised? Let’s find out in this BLOG/VLOG!

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30. May 2025 

Pola­ri­sing filters in woodlandphotography 

It is the only filter that cannot be imitated using other photo­gra­phic tech­ni­ques or image proces­sing skills, which is why it is probably the only indis­pensable filter in land­scape photo­graphy: the circular pola­ri­sing filter, or CPL for short. You can find out about its effect on photos and how to use it correctly, espe­ci­ally in rela­tion to forest photo­graphy, here. Also: when it’s better to leave it out. Have fun reading. 

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16. May 2025 

The perfect morning? — The only important tip in photography 

Oh, it could just have been the perfect morning. The mood of the light, the presence of the perfect amount of misty haze, the spring green and me stan­ding in the biggest sea of wild garlic to take pictures. But the world isn’t perfect and so it is that some places full of wild garlic fell victim to the forestry work in winter and the other­wise perfect morning didn’t coin­cide with the peak of the wild garlic blossom. A pity really. Nevert­heless, some great pictures were taken and I have a very basic tip for you in this BLOG/VLOG!

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2. May 2025 

The influence of image proces­sing on nature photography 

Maybe you’ve been there: You’re on a holiday that you’ve been saving up for for a long time and you capture your expe­ri­ences in pictures. After­wards, you’re a little disap­pointed because your pictures don’t even begin to reflect what you saw. If you have photo­gra­phed in JPG, you won’t be able to do much about it, and some of the pictures might just be for the bin. However, if you have saved the RAWs at the same time, your chances of getting some­thing out of the images increase signi­fi­cantly. This BLOG is all about what is possible with modern image proces­sing using the RAWs of today’s cameras. PS: Without sky repla­ce­ment or adding atmo­spheric elements!

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2. April 2025 

Ein Morgen am See 

Obwohl ich im Winter für den Sonnen­auf­gang wesent­lich später hätte aufstehen müssen, als jetzt, wo es schon bald Früh­ling wird, bin ich kaum zum Foto­gra­fieren unter­wegs gewesen. Aber heute habe ich mich über­wunden, denn ich wollte eine träu­me­ri­sche Aufnahme an einem See mit Morgenrot aufnehmen. Also raus aus den Federn, solange die Familie noch schläft und los zu einem nicht all zu weit entfernten See.

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7. March 2025 

Taking photos when the weather doesn’t cooperate 

Oh man, I wish I’d just stayed in bed. Now I have 30 minutes of hiking uphill in complete dark­ness through the Pala­ti­nate Forest and over an hour’s drive behind me and I’m stan­ding here in the middle of the fog soup instead of above it as planned. And yet the weather models were all in agree­ment. Fog level, dawn, ever­y­thing should have been fine. What now? Turn around, go home and give up or pull through and see what you can get out of it with a little crea­ti­vity? In this BLOG/VLOG, I finally get to grips with the auto­matic focus bracke­ting of my Sony a7IV, go in the direc­tion of B&W fine art with my images, show you how to get black and white images quickly and easily in LR/PS and prove to you that giving up is not an option and that you can always find some­thing photo­gra­phi­cally interesting!

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15. November 2024 

Photo­gra­phing mush­rooms in the forest 

Fall time is mush­room time. And although I was told it wasn’t going to be a mush­room year this year, I was comple­tely surprised when I saw mush­rooms ever­y­where to my left and right on my jogging route. While I was running, I thought to myself that a visit to the forest with my camera would be wort­hwhile. At home I set up my equip­ment and saw the email that the Sony a7IV can now do focus bracke­ting. I have to try that out. So I quickly installed the update and headed into the forest before the sun went down. Trans­lated with DeepL.com (free version) 

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8. November 2024 

Fokus-Stacking in Photoshop 

Was ist denn das? Als ich joggend an diesem Baum­stumpf vorbei­lief, hatte ich direkt den Plan für die nächste Stunde im Kopf. Ich lief nach Hause, duschte mich schnell ab und fuhr mit dem Fahrrad zurück zu der Stelle im Wald. Ich wollte das Abend­licht nutzen, um diesen Baum­stumpf samt Kame­ra­aus­rüs­tung erneut einen Besuch abzu­statten und ihn zu foto­gra­fieren. In diesem VLOG/BLOG widmen wir uns dem kompletten Prozess des Fokus-Stackings, von der Aufnahme vor Ort, bis zur Bild­be­ar­bei­tung in Ligh­t­room und Photo­shop. Beson­ders inter­es­sant für die Foto­grafen unter euch. 

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1. November 2024 
Read all the blog posts? Respect! More to come soon, for sure. Sign up for my news­letter and you won’t miss it!

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