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Simple tips to get more out of your forest photos
Heute habe ich nicht mal einen Wecker gebraucht. Ich bin rechtzeitig aufgewacht, habe mich angezogen, das Fotoequipment gepackt, ins Auto gestiegen und los. Bereits gestern Abend versprach der Wetterbericht, dass die Bedingungen passen werden. Dichter Nebel sogar in den Wäldern möglich. Außerdem dampfende Wasseroberfläche, vielleicht auch ein wenig Himmelsfärbung, etc. Egal wie, irgendwas wird schon dabei sein. Ich hatte eine Location geplant, die ich schon häufig besucht hatte. Ein See im Wald. Eigentlich kann nichts schief gehen. Doch was ich dann vorfand, war alles andere als ein easy-going.

A highlight for landscape photographers in Germany
All good things come in threes. I still have unfinished business here in the Odenwald, in this gorge. I have been here twice before, wanting to capture the beauty of this impressive gorge. But twice it didn’t work out. Once there was simply no water in the gorge because I had waited too long after the rainy days. Another time, there were simply too many hikers there and I couldn’t really get into my stride as a photographer. The only pictures I took were ones I wasn’t happy with. My hopes were now pinned on attempt number 3.

Das Potential von Lightroom-Masken richtig nutzen
In diesem Beitrag gibt es ein ausführliches Tutorial über die Masken in Lightroom. Gerade für ein Einsteiger ist es am Anfang etwas schwierig zu verstehen, was man mit Masken alles anstellen kann und welche Wirkung die selektiven Anpassungen erzeugen können. Deshalb geht es dieses mal etwas mehr um Masken-Basics, aber vielleicht ist auch der ein oder andere Tipp für die bereits erfahrenen Lightroom-Nutzer unter euch dabei.

Fine art or fake art landscape photography?
Landscape photography – it shows us the beauty of nature in impressive images. But not all landscape photos are the same! Some images look like perfect snapshots, others almost like paintings. What is the difference? And is too perfect simply fake? In today’s post, I’ll explain what the addition of ‘fine art’ means, how you can recognise fine art photography and how it differs from normal landscape photography! Be sure to read to the end to find out why it’s not deception, but art.

The power of selective masks
Ansel Adams did it, so why shouldn’t we? We’re talking about selective adjustments. In recent years, Adobe has perfected selective masks in Lightroom. The possibilities are enormous and diverse. But it hasn’t necessarily become any easier. In this BLOG/VLOG, I provide an insight into editing with selective masks. See for yourself.

Time blending – why it pays to focus on just one image
Tonight will be a piece of cake. All weather models are predicting a beautiful sunset. I arrive on site in good time and am pretty sure what I want to photograph and how. My tripod, camera and filters are set up in no time, and the sunset is already looking really great at sunset. Now I just have to wait until it really kicks in. But wait a minute, has it already faded a little between the last two shots? Yes… what now?

Netherlands classics
Oh man, what’s wrong with my timing? Phenomenal golden light shines on the landscape in front of me. I look at my car’s speedometer. I’m already going a little too fast. And there are speed cameras everywhere here in the Netherlands. Two more turns. Damn, another red light. Maybe it’ll stay red for another 10 minutes, who knows. Just a few more metres and I’ll reach the car park, but then the great light was gone. But the clouds look promising. Don’t give up too soon, I thought to myself, and we set off along the path past these beautiful windmills in the Netherlands.

Woodland photography at twilight
I recently spent a few days travelling with my family in the Netherlands and discovered a lovely little forest with some interesting trees close to the beach. However, the weather during those days was a bit unpredictable. It was either pure sunshine or pouring rain. Neither of these conditions encouraged me to go outside and take photos in the forest. How could I still get some great shots? Then I had an idea. I’ll go when the sun isn’t bothering me. Blue, diffuse, mystical. In this blog/vlog, I’ll show you why the blue hour is an underrated time for forest photography.

One lens for everything
FOMO – Fear of missing out. I think we all know what that is, right? Sometimes it’s really bad for me. When the weather is great and I have to work or I have other plans, I get it – the fear of missing out on the perfect shot. That’s why I quickly expanded my lens collection. It ranges from 16 mm to 400 mm. Now it even goes up to 600 mm. With a teleconverter, that’s actually 1200 mm. I usually have everything with me so I don’t miss a shot. What happens? Sometimes you miss the shot anyway. Changing lenses takes time. Setting out with only one focal length helps creativity; it’s limiting on the one hand, but it gives you freedom on the other. If I had to give up all my lenses except one, which one would I keep?

Incredibly diverse — the dune landscape of the Netherlands
Phew… I worked up a sweat again. I had already realised that the conditions were going to be fantastic that evening. I had scouted out a spot, but hadn’t had time to check it out yet. It should actually be fine if I get there early and have a look around. However, I hadn’t reckoned with my children and so — as a father of two — I ended up with less time than I had hoped. But see/read for yourself.

Bildbearbeitung in Luminar Neo
Skylum had asked me if I knew Luminar? Yes, I said, of course! But so far I’ve only ever used it for one or two effects as a plugin in Photoshop. Personally, I think the color harmony function is brilliant. Luminar has changed a lot in the last few years. Can it also prove itself as a “stand-alone” in a complete image editing workflow? And has it really become as fast as promised? Let’s find out in this BLOG/VLOG!

Polarising filters in woodlandphotography
It is the only filter that cannot be imitated using other photographic techniques or image processing skills, which is why it is probably the only indispensable filter in landscape photography: the circular polarising filter, or CPL for short. You can find out about its effect on photos and how to use it correctly, especially in relation to forest photography, here. Also: when it’s better to leave it out. Have fun reading.