Wild garlic photo­graphy — how it works in every condition

The period of the year when you can photo­graph wild garlic in bloom is very limited. You can’t always wait for ideal condi­tions or travel to distant loca­tions. Find out how you can still take great photo­graphs of wild garlic in bloom in this blog. 

Gear:

Sony a7III
Sony FE 4/24–105 mm G OSS
Sony FE 2.8/16–35 mm GM

When are the best conditions?

Simply put, this is when the wild garlic is in bloom! This period is usually quite short and lasts only a few days, up to maybe 2, maximum 3 weeks. Depen­ding on the region, you should observe the wild garlic flowe­ring from the end of April to the middle or end of May so that you don’t miss it. If the first buds already look like the one in the next picture, then you should take the oppor­tu­nity to go into the forest in the next few days to photo­graph flowe­ring wild garlic.

When the flowe­ring is in full swing, you should take every oppor­tu­nity, even if local condi­tions may not be perfect. Waiting for thick fog in spring can work, but it can also lead to a missed oppor­tu­nity. Usually a damp morning in the forest, light rain or morning sun is also enough to take great pictures.

Wild garlic flower bud | Sony a7III + Sony FE 100–400 mm GM @ 209 mm, f/5.6, 1/250 sec, ISO 800

Where can I find wild garlic?

It’s best to scout a few loca­tions in advance. In March you can reco­g­nise wild garlic by its garlic scent and the typical, elon­gated green leaves. Wild garlic also often occurs in large colo­nies, which is why you don’t have to look for small patches. To narrow down the choice of forests where you can look for wild garlic, you can do some rese­arch online. 

Search Google Maps/Earth for dense deci­duous forests. Look at the topo­graphy of the forests. If there are small valleys, gorges or depres­sions with small streams or ripa­rian forests of rivers within these shady deci­duous forests, there is a high proba­bi­lity of finding wild garlic there. Wild garlic grows up to an alti­tude of 1900 metres above sea level and throug­hout Europe, except in the Medi­ter­ra­nean region. It is also some­what more wide­spread in southern Germany than in nort­hern Germany. 

Wild garlic brook | Sony a7III + Sony FE 2.8/16–35 mm GM @ 21 mm, f/14, 1 sec, ISO 800

What do I have to bear in mind when photo­gra­phing wild garlic?

A very important concern for me is to point out to you that when photo­gra­phing wild garlic you should take care not to trample it. Wild garlic often grows in nature reserves. Leaving the path should ther­e­fore be a no-go for you either way. In nort­hern Germany, wild garlic is even on the red list in many regions, so you should be careful. Also when coll­ec­ting the leaves for your own consump­tion. Unfort­u­na­tely, I keep finding carefully selected photo spots where the wild garlic has been trampled down by people. 

In any case, you can live your life to the full when taking photos. The wild garlic blos­soms are already great photo motifs in them­selves. In the mass as a bloo­ming, white sea of blos­soms in the fresh green spring forest, they are simply enchan­ting. So feel free to use whatever focal lengths you have available. Get close to the blos­soms with the wide-angle lens. Use focus stacking if neces­sary. Use the tele­photo for detail shots, etc. Be as crea­tive as you can! And be sure to use a circular pola­ri­sing filter to bring the green of the leaves to life, espe­ci­ally when it is still damp in the forest.

Bloo­ming wild garlic avenue | Sony a7III + Sony FE 4/24–105 mm G OSS @ 105 mm, f/11, 4 sec, ISO 100

This and all other shots of this post you can request under “Prints” as an art print for your wall at home directly from me. 

Photo­tech­nical difficulties

In addi­tion to the focus point and the desired sharp­ness in the picture, also keep an eye on your histo­gram. And be sure to check the result after taking the photo. In an other­wise very dark forest, the white wild garlic flowers can quickly be over­ex­posed, depen­ding on the light situa­tion or the amount of white in bloom. Remember that your camera always aims for a medium expo­sure. Some­times it can ther­e­fore be useful to use the expo­sure compen­sa­tion in order to have optimal image data later on the computer. 

Also remember to use your camera’s expo­sure bracke­ting when backlit or, depen­ding on the compo­si­tion, focal length and aper­ture, focus stacking. In the vlog (see below) to this blog post you can see how I use these tech­ni­ques in the field. Please note that for these tech­ni­ques it should be as wind­less as possible in the forest. Other­wise, this can lead to arte­facts that you only notice when editing the image and that are very diffi­cult to remove. 

Fresh green in a spring forest | Sony a7III + Sony FE 2.8/16–35 mm GM @ 35 mm, f/16, 4/5 sec, ISO 400

Pictures from the VLOG

In this gallery, I have compiled all the photos from the VLOG so that you can view them at your leisure. Have a look on Youtube and leave a comment or a like. If you liked the video, you can also subscribe to my channel so that you don’t miss any new videos.

VLOG to the BLOG

In my Youtube video “In search of perfect condi­tions for wild garlic photos” I show you how I took the photo­graphs of flowe­ring wild garlic in this post and you see how I put these tips into prac­tice. Check it out and get inspired! Feel free to comment with any other helpful tips you think of and leave a subscribe! I’m looking forward to it!

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