Time blen­ding – why it pays to focus on just one image

Tonight will be a piece of cake. All weather models are predic­ting a beau­tiful sunset. I arrive on site in good time and am pretty sure what I want to photo­graph and how. My tripod, camera and filters are set up in no time, and the sunset is already looking really great at sunset. Now I just have to wait until it really kicks in. But wait a minute, has it already faded a little between the last two shots? Yes… what now? 

Gear:

Sony a7IV
Sony FE 2.8/16–35 mm GM
Sony FE 4/24–105 mm G
Sony FE 100–400 mm GM

You can see the VLOG to the BLOG at the bottom of the page or you can reach it via this button:

What is time blending?

Now, don’t change anything about the compo­si­tion of the image. It’s best to leave ever­y­thing as it is and continue taking pictures. Just don’t be tempted. We already have a shot of the perfect sky for this picture, so we need another one when the city lights are on and the atmo­sphere of the place is right too.

In such cases, a second camera is really helpful, as it means you are not tempted to change anything in the main image, but still have the option of captu­ring other things around you. 

About 20 minutes later, I had a nice shot of the houses with the street lights on. It should be possible to blend this in, right? Sure! It’s actually an easy exer­cise in Photo­shop if you’ve taken ever­y­thing into account on site. This tech­nique even has a name: time blen­ding. And unlike sky repla­ce­ment, which has been on everyone’s lips for some time now, time blen­ding is even an approved tech­nique in many popular photo competitions. 

You take a photo in one place, but capture indi­vi­dual elements at diffe­rent times. This tech­nique is parti­cu­larly popular for land­scape shots by the sea. In the fore­ground, you capture the beau­tiful move­ment of the water, in the middle ground a perfectly brea­king wave, and in the back­ground a stun­ning sky with birds flying by. Ever­y­thing is combined using the time-blen­ding method to create a perfect photo­gra­phic moment. Waiting for such a moment would take years, and due to the diffe­rent expo­sure times required, it might not even be possible to capture it in a single image. 

With tech­ni­ques like these, you natu­rally move away from simply taking pictures and towards fine art photo­graphy. A more artistic approach to photo­graphy, where the aim is not to depict reality, but to evoke an emotion. It’s about art. 

Galge­water | DJI Mini 3 Pro

This and all other shots of this post you can request under “Prints” as an art print for your wall at home directly from me. 

Prepa­ra­tion

Either you plan to take this kind of shot from the outset, in which case you know what you have to do, or it just happens. At the seaside, you take dozens of shots from one posi­tion to capture the move­ment of the water. Many of the pictures end up in the bin, but two, three, four, five or more may have a great element that can be combined to create a fanta­stic image. 

I’ll be honest: in my case, it was obser­ving the sky and my lucky personal intui­tion that the sunset would probably not get any stronger. So I tried to keep my fingers off the zoom ring and tripod screws so that, in the ‘worst’ case scenario, I could do some time blen­ding. It paid off thanks to a bit of luck, but also to my experience. 

Of course, you can fix a lot in Photo­shop, but ideally you should posi­tion the camera and then not change anything else. Remo­ving a filter when it gets darker is still possible. Adjus­ting the aper­ture, chan­ging the ISO – all of that is possible, of course. But it’s better to wait a minute longer before taking the last shot and not move on too soon. 

In some villages and towns, buil­dings can benefit from the last reflected light of the sun shortly after sunset. A red sunset may not appear until minutes later. Street lighting usually comes on even later. You can combine all of this, and it is still 100% your work and does not consist of 30% of another photographer’s sky.

De Valk Leiden| Sony a7 IV + Sony FE 4/24–105 mm G

The beauty of photography

The nice thing about crea­ting time-blen­ding shots is that you have plenty of time to chat. That’s how I got to know a nice photo­grapher from Leiden, who gave me a few tips for motifs for the evening. So I decided to go on a photo walk in Leiden during the blue hour and into the night. And what can I say, it was worth the effort. I took some really great pictures that evening. 

Many other Dutch people joined us throug­hout the evening and took photos with their mobile phones along­side me. Almost ever­yone spoke to me. And ever­yone was thrilled that I was pursuing my hobby here and taking such great photos, which already looked fanta­stic on the camera display. 

Leiden is defi­ni­tely worth a visit for a photo walk. Feel free to browse the gallery below for some inspiration!

Mors­poort | DJI Mini 3 Pro

Pictures from the VLOG

A lot of time went into a shot at Galge­water in Leiden. A time blend that shows the loca­tion over a period of perhaps as much as 30 minutes. I had signi­fi­cantly less time for the other pictures, but I still managed to take some beau­tiful shots in Leiden in the Nether­lands. How could it be other­wise in such a beau­tiful place?

VLOG to the BLOG

This time, the video is less about the loca­tion and the shots them­selves and more about editing in Photo­shop. I’ll show you ways to put toge­ther a time-blen­ding shot. Plus, there’s a nice slide­show at the end.

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