Long expo­sure during the day — without ND filter

The journey begins. Sylt will be my home for a total of 4 weeks and I will be taking a closer look at the island, which is other­wise almost only known for holi­days in a beach chair. Over the next few weeks, you’ll see why the off-season should be the time of choice for land­scape photo­graphers. Today I’ll show you how you can forget the ND filter at home for long expo­sures using a specific technique. 

You can find the VLOG to the BLOG below, at the end of the blog post. Be sure to take a look, because in this YouTube video you can find out how I took the pictures in this post and all the tips in detail directly in the field. 

Gear:

Sony a7IV
Sony FE 100–400 mm G

The options

Have you ever expe­ri­enced this? Set out to take a long expo­sure. Tripod set up, camera posi­tioned. Settings checked. Calcu­lated the expo­sure time for the ND filter, then looked in the camera bag. Empty. Damn, I forgot the filter set. It’s lying on the desk at home, still from the last clea­ning. Now what?

In order to achieve a very long expo­sure of several seconds during the day, it is neces­sary to attach an ND filter to the lens. This reduces the inci­dent light and thus extends the neces­sary expo­sure time to expose the image in a balanced way. If we don’t have an ND filter to hand, we’re out of luck. 

No! Not at all! Modern image proces­sing allows us to take a diffe­rent approach here too. If we achieve an expo­sure time of 0.4 seconds with a fairly wide aper­ture and low ISO, then we only need 10 shots and we have already exposed for 4 seconds.

You can see how we put the pictures toge­ther and what the result looks like below, or in the video, which I highly recom­mend you watch. 

Wrack Mariann | Sony a7IV + Sony FE 100–400 mm GM

This and all other shots of this post you can request under “Prints” as an art print for your wall at home directly from me. 

The proce­dure

On loca­tion, try to increase the expo­sure time as much as possible. Lowest ISO, smal­lest aper­ture that can still be tole­rated and then conti­nuous shoo­ting. Try to esti­mate what expo­sure time you would like and how many shots are neces­sary with the expo­sure time you have. Then hammer them into the box. 

At home, match the images as closely as possible or synchro­nise the settings in Ligh­t­room or Came­raRaw so that they all look the same when you first look at them. 

Of course, the indi­vi­dual images have diffe­rent struc­tures, etc. for all moving elements. However, ever­y­thing that is fixed (e.g. buil­dings) should be iden­tical in every image. 

Now load all the images as layers in Photo­shop. From Ligh­t­room, select the images in the library, right-click, Edit in…, Open as layers in Photoshop.

In Photo­shop, select all layers and go to Edit, Auto-align layers and let Photo­shop auto­ma­ti­cally align the layers on top of each other.

Then select the layers again (if they are no longer selected), right-click on the layers and select Convert to smart object. All layers in this smart object will now disappear. 

Finally, navi­gate via the menu to Layer, Smart objects, Stack mode and select Median or Mean value. Whichever gives the best result. You have now combined the indi­vi­dual short expo­sure times into one long expo­sure time. 

Depen­ding on your prefe­rence, you can then perfect the final touches in Photo­shop or back in Lightroom. 

The bottom line

Both tech­ni­ques lead to a good result. I like my ND filters because I can see the result in advance. However, if you already have some expe­ri­ence and you want to save yourself the weight or money for ND filters, or you have forgotten the filters at home, then you can try this trick. 

VLOG to the BLOG

The journey begins. Sylt will be my home for a total of 4 weeks and I will be taking a closer look at the island, which is other­wise almost only known for holi­days in a beach chair. Over the next few weeks, you’ll see why the off-season should be the time of choice for land­scape photo­graphers. Today I’ll show you how you can forget the ND filter at home for long expo­sures using a specific technique.

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