Nether­lands classics

Oh man, what’s wrong with my timing? Pheno­menal golden light shines on the land­scape in front of me. I look at my car’s spee­do­meter. I’m already going a little too fast. And there are speed cameras ever­y­where here in the Nether­lands. Two more turns. Damn, another red light. Maybe it’ll stay red for another 10 minutes, who knows. Just a few more metres and I’ll reach the car park, but then the great light was gone. But the clouds look promi­sing. Don’t give up too soon, I thought to myself, and we set off along the path past these beau­tiful wind­mills in the Netherlands. 

Gear:

Sony a7IV
Sony FE 4/24–105 mm G
Sony FE 100–400 mm GM
DJI Mini 3 Pro

You can see the VLOG to the BLOG at the bottom of the page or you can reach it via this button:

Why wind­mills?

They are abso­lutely typical of the Nether­lands and scat­tered throug­hout the country: wind­mills. Their main task, histo­ri­cally, was to drain land to make it usable for agri­cul­ture.  However, they were also used for various other purposes, such as grin­ding grain, sawing wood or pres­sing oil. 

The Nether­lands, a country with a lot of water, parts of which even lie below sea level, used wind­mills to drain low-lying areas (polders) and thus prevent floo­ding and gain land for agri­cul­ture. Wind­mills thus became a symbol of the Nether­lands. They are closely linked to its history and culture.  Today, they are often tourist attrac­tions that can be visited and where you can gain an insight into tradi­tional Dutch life. 

But they also symbo­lise the Nether­lands’ struggle against water and its ability to deal with the chal­lenges of water manage­ment. Today, many wind­mills are no longer in opera­tion, but they are often restored and main­tained to preserve them as histo­rical monu­ments and show­case the rich history of the Nether­lands. From a photo­gra­phic point of view, they are ther­e­fore always a great subject in the flat land­scape of the Nether­lands, and they always have a story to tell.

The Three Wind­mills | DJI Mini 3 Pro

Where are the windmills?

To find wind­mills in the Nether­lands as a photo­grapher and plan to photo­graph them, you can buy so-called loca­tion maps from many local photo­graphers. These maps provide some infor­ma­tion and the loca­tions of the wind­mills. However, if you want to save your euros for dinner with your wife (or some­thing else), you will find specific infor­ma­tion about wind­mills on www.molendatabase.nl fündig.

There you will find all the wind­mills in the Nether­lands, in most cases with pictures and their loca­tions. With a quick look at Google Maps, you can use your imagi­na­tion to gene­rate image ideas and find possible times of year/day for each mill and see when it is worth visi­ting. You can also find the nearest parking spaces, so there should be nothing stan­ding in the way of navi­ga­ting to the spot. 

It is some­what more diffi­cult to deter­mine how acces­sible the wind­mills are. Some are located on private land. It is not always possible to walk comple­tely around them because water, fences or farm­land block the way. However, Google Maps or Earth may provide suffi­cient images to esti­mate where you can stand in rela­tion to the mills. However, there will always be a little uncer­tainty. In this case, as in mine, it helps to have a drone and be able to fly it briefly. This allowed me to get all three wind­mills in one picture, even though a fence and private property blocked the way to my desired composition. 

Heavens light at the mills | Sony a7 IV + Sony FE 4/24–105 mm G

This and all other shots of this post you can request under “Prints” as an art print for your wall at home directly from me. 

How to photo­graph windmills?

Back to the evening of the event. The three wind­mills are lined up in a straight row along a canal. My initial inten­tion was to photo­graph the wind­mills, which faced the setting sun, at a wide angle with the setting sun on the left and the three wind­mills on the right of the image. The nearest wind­mill would have created a visual balance to the sun on the left of the image. To do this, I had scouted the path behind the last wind­mill on Google Maps and hoped that I would be allowed to use it to get to the ideal posi­tion. (Similar to the first drone image at the bottom of the gallery)

But the path was blocked off. So I had to make the best of it. From my possible loca­tion, I could only get 2 of the 3 wind­mills in the picture. To give the image as much balance as possible, I posi­tioned the domi­nant wind­mill as close to the centre as possible. Even though the compo­si­tion and lighting worked quite well in the photo­graph, I still feel that the visual weight tilts slightly to the left. But not so much that it’s too distrac­ting. With the drone (above) and the three mills, it was easier to find a good balance, as the posi­tio­ning of the drone (*) is, of course, much easier. 

To make sure I didn’t miss any lighting situa­tions in the dynamic weather, I decided to start with a time-lapse right away. While my camera was taking pictures non-stop, I was able to fly the drone at my leisure and do a little vlog­ging. I even had the intui­tion to opti­mise the image compo­si­tion again briefly for one picture when the light was at its best. You can see a short excerpt of the time-lapse in the VLOG below. 

Molen Moon­rise | Sony a7 IV + Sony FE 100–400 mm GM

What else was there?

Oh yes, I almost forgot. I had already noticed before­hand that the moon should actually rise in the perfect direc­tion. But with all the beau­tiful light and the need to act quickly to take photos in the warm light of the golden hour, I had comple­tely forgotten about it. As I was setting up the tripod, it suddenly came back to me. ‘Wait a minute, there was some­thing else!’

I took out my 100–400 mm (*) from my back­pack and changed the lens. Then it appeared. The clouds cleared just in time. It wasn’t quite a perfect full moon, but it suited the atmo­sphere of the blue hour and the wind­mills excep­tio­nally well. So I spent another half hour taking some pictures before getting back in the car and driving through the night back to our accommodation.

I am pleased with this very successful evening for my photography.

Molen Mirror | Sony a7 IV + Sony FE 4/24–105 mm G

Pictures from the VLOG

Despite all the plan­ning, there is always a little uncer­tainty. The evening at the wind­mills did not go exactly as I had planned. But I still managed to take some beau­tiful pictures in the lovely evening light. And now I have a few Dutch clas­sics in my portfolio. 

VLOG to the BLOG

Fanta­stic light already on the way to the car park at these three beau­tiful wind­mills in the Nether­lands. Have I already missed the best time for land­scape photo­graphy at this loca­tion, or will the sun come out again during the golden hour? I almost forget that this evening could still bring another highlight.

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