Taking photos when the weather doesn’t cooperate

Oh man, I wish I’d just stayed in bed. Now I have 30 minutes of hiking uphill in complete dark­ness through the Pala­ti­nate Forest and over an hour’s drive behind me and I’m stan­ding here in the middle of the fog soup instead of above it as planned. And yet the weather models were all in agree­ment. Fog level, dawn, ever­y­thing should have been fine. What now? Turn around, go home and give up or pull through and see what you can get out of it with a little crea­ti­vity? In this BLOG/VLOG, I finally get to grips with the auto­matic focus bracke­ting of my Sony a7IV, go in the direc­tion of B&W fine art with my images, show you how to get black and white images quickly and easily in LR/PS and prove to you that giving up is not an option and that you can always find some­thing photo­gra­phi­cally interesting! 

You can see the VLOG to the BLOG at the bottom of the page or you can reach it via this button:

Gear:

Sony a7IV
Sony FE 2.8/16–35 mm GM
Sony FE 4/24–105 mm G
Sony FE 100–400 mm GM

Giving up is never an option

Of course, you leave the house with a certain inten­tion. A certain image in your head that you want to capture. You look at the weather fore­cast in the evening, maybe again in the early morning, before you set off and you know where you want to go and what you want to photo­graph. Then suddenly you’re there, on loca­tion, possibly with a longer journey behind you, like me, and you realize that ever­y­thing you’ve planned won’t work out. Disap­poin­ting. Of course it is. But that should only be the case in the first few seconds, because with a bit of crea­ti­vity, a keen eye and know­ledge of as many areas of photo­graphy as possible, you’re bound to come up with some­thing that results in a great picture. 

My inten­tion was to photo­graph the Rötzen­felsen in the autumnal morning light with fog in the valley. Ever­y­thing had to be right. Perfect medium-high clouds. A suffi­ci­ently large gap in the clouds and the upper limit of the fog should be around 300–400 meters. Now the Rötzen­felsen at approx. 450 m is the perfect spot for this morning. 

While hiking up the moun­tain, I walked through a thick soup of fog. Only my head­lamp tried to shine through the fog, but only managed to do so for a few meters. Fort­u­na­tely, the path, the trail markings and the GPS didn’t let me down, which is why I reached the rock without any problems. Some­times you’re only a bend or a few meters away from the top of the fog and you’re suddenly in clear view. So I walked to the end of the path. But no chance. The fog seemed to have moved much higher. Maybe 500m, maybe 600m or even higher. You couldn’t see anything. And now? Well, I’m certainly not going to get up so early, drive around for an hour and walk through the dark­ness for 30 minutes, only to return home without a picture. And thick fog isn’t the worst weather condi­tion for photo­graphy. So off we go in search of alter­na­tive motifs. 

Out of the dark­ness | Sony a7 IV + Sony FE 2.8/16–35 mm GM

This and all other shots of this post you can request under “Prints” as an art print for your wall at home directly from me. 

Crea­ti­vity as an option

Of course, pictures in the forest in thick fog are always an option. The fog helps to sepa­rate the trunks of the trees and adds depth to the picture, as the contrast decreases with incre­asing distance. But I could probably take these pictures anywhere in the Pala­ti­nate Forest at this moment. So I want to work out and photo­graph the character, the special features of this spot. 

Other options if you’re in a tight spot and the weather isn’t playing into your hands include using filters for long expo­sures, looking for special details and taking macro-like shots, or using yourself as a model and taking action shots. For the latter, simply use interval shoo­ting and take a few dozen photos of yourself within a few minutes, stan­ding, sitting, clim­bing… Maybe you’ll manage to discover mini­ma­list scenes that you can later edit like fine art. Look for contrasts, inte­res­ting fore­ground elements (if you don’t have the fore­sight to create a beau­tiful back­ground), leading lines, etc. Or deli­bera­tely create images that you can later convert to black and white. High-contrast elements help here. You may be able to enhance these on loca­tion using the pola­ri­zing filter, so think about this too and try it out.

In the picture below I found the rock, which was still damp below the edge and dry above. Added to this were the autumnal yellow leaves and the red rock. A good way to get a high-contrast image by adjus­ting the black and white mix accor­dingly. With a little dodging and burning, you can quickly create an inte­res­ting and high-contrast black and white image in fine art style.

Two-faced rock | Sony a7 IV + Sony FE 2.8/16–35 mm GM

Convert color image to black and white image

Here in brief how to convert to a black and white image in Lightroom/Photoshop:

In Ligh­t­room:

  • Acti­vate the S/W button under Basic settings in the Develop module.
  • Further down, the “Color mixer” tab changes to “B/W”
  • There you can set the black and white mix, i.e. the lumi­nance of the colors in rela­tion to their grey value. This allows you to work out the contrast at this point.

In Photo­shop:

  • Add “Black and white” layer.
  • Use the proper­ties of the layer to set the black and white mix, i.e. the lumi­nance of the colors in rela­tion to their grey value. This allows you to work out the contrast at this point.
Not too close to the edge! | Sony a7 IV + Sony FE 2.8/16–35 mm GM

If there’s nothing to photo­graph, that’s up to you

If you’ve been follo­wing my BLOGs/VLOGs for a while, you’ll know that I think there’s always some­thing to photo­graph. No matter where you are or what the weather is like. You can always find some­thing inte­res­ting, exci­ting, funny, crea­tive, impres­sive for a photo. Of course, you can’t really photo­graph natural land­scapes in big cities, but then there are city­scapes, rays of light and colors at night, or lighting in the blue hour, and much more.

If you think that there’s nothing to photo­graph, then that’s down to you! It’s down to your lack of crea­ti­vity. It’s not that you’re unima­gi­na­tive and uncrea­tive per se, in some cases it can simply be a crea­tive hole that we all fall into from time to time and it’s only tempo­rary. It’s the same for me. Some­times I just put the camera away for a few days or even weeks. Maybe I look at photos of great artists and get inspired. Visit new places or learn a new tech­nique and then the crea­ti­vity comes back on its own, in most cases.

Nothing to see at the Rötzen­felsen | Sony a7 IV + Sony FE 2.8/16–35 mm GM

Setting matter

For me perso­nally, I actually managed that morning not to let nega­tive emotions get the better of me when I saw that my plan was not going to work. It was probably the first time that I simply got fully involved and worked with what I found, knowing and feeling that I could create inte­res­ting images with a good concept and a little crea­ti­vity, even if my inten­tion, the plan I set out with in the morning, had to be comple­tely discarded. But that’s how it is some­times. The important thing is what you make of it!

Crea­tures of the Pala­ti­nate Forest | Sony a7 IV + Sony FE 2.8/16–35 mm GM

Pictures from the VLOG

Nothing went as planned and yet it was a successful morning in the Pala­ti­nate Forest. I finally unders­tood how the Sony works with auto-focus bracke­ting (more on this in the video below) and created some special images for me. But take a look for yourself, here are all the pictures from the VLOG to watch. 

VLOG to the BLOG

In today’s VLOG/BLOG I visit the Rötzen­felsen in the Pala­ti­nate. The fore­cast was for a veil of fog and dawn red. What I got was a thick gray soup of fog. Perhaps the Rötzen­felsen was too low or the fog was simply thicker than I expected. Should I pack up again straight away or just push through? Of course I stay on site. With a little crea­ti­vity, I managed to get some great shots, but take a look for yourself! I also figured out the focus bracke­ting beha­vior of the Sony a7IV! So be sure to take a look!

Feel free to share:

Subscribe to my newsletter

Keep up to date with my work via email

Leave a Reply

Your email address will not be published. Required fields are marked *

en_USEN