{"id":9608,"date":"2022-12-28T08:28:06","date_gmt":"2022-12-28T08:28:06","guid":{"rendered":"https:\/\/simonschoenhoff.de\/?p=9608"},"modified":"2023-03-07T09:20:24","modified_gmt":"2023-03-07T09:20:24","slug":"mein-fotografisches-jahr-2022","status":"publish","type":"post","link":"https:\/\/simonschoenhoff.de\/en\/mein-fotografisches-jahr-2022\/","title":{"rendered":"My photo\u00adgra\u00adphic year 2022"},"content":{"rendered":"
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

My photo\u00adgra\u00adphic year 2022<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Of course, my photo\u00adgra\u00adphic year 2022 was also charac\u00adte\u00adrized by photo\u00adgra\u00adphing my home country, but I was also able to visit some great more distant places and take beau\u00adtiful pictures.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

In this blog post, I\u2019ve compiled my personal high\u00adlights and go back through the past 12 months. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Winter and spring<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Winter is gene\u00adrally a time of year when I don\u2019t manage to go out photo\u00adgra\u00adphing quite as often. Although the nights are long and the good light can be found at favorable times of day. Also, the lower winter sun often allows for beau\u00adtiful photos during the day as well. However, the land\u00adscapes in my home region often look very bleak. So for great winter shots, the only option is often a trip to the moun\u00adtains or the Black Forest. In some years, however, there is simply not enough time. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Inver\u00adsi\u00adons\u00adwet\u00adter\u00adlage im Winter<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

However, a strong inver\u00adsion weather brought us fog and frost in the Rhine-Neckar district at the begin\u00adning of the year. I used the bare trees to look for unusual compo\u00adsi\u00adtions. By posi\u00adtio\u00adning the camera correctly, the character of indi\u00advi\u00addual trees can be brought out. Some\u00adtimes it also succeeds to tell whole stories. As here in the shot titled \u201cThe Admo\u00adni\u00adtion\u201d. The large tree in the fore\u00adground acts on me, like a father who admo\u00adnishes his two children, the two trees in the background.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
Die Ermah\u00adnung | Sony a7 III @ 105 mm, f\/6.3, 1\/160 Sek., ISO 400<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Nebel in den Auen<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

In the further spring I had several times the fog in the Malscher meadow to the morning hours. I had a scene in mind that I really wanted to photo\u00adgraph. In April the amount of fog was perfect for it. So I was able to take the picture \u201cIn the misty haze\u201d, in which at first glance the silhou\u00adette of the tree and at second glance the parish church of Malsch is recognizable.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
Im Nebel\u00addunst | Sony a7 III @ 40 mm, f\/11, 1\/15 Sek., ISO 100<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Super\u00admond im M\u00e4rz<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Of course I did not want to miss the super\u00admoon over Malsch, my home\u00adtown. Ideal condi\u00adtions which are not ever\u00adyday met toge\u00adther. So the moon\u00adrise was at the same time as the sunset, the low earth proxi\u00admity of the full moon and the clear weather some\u00adthing that does not coin\u00adcide every year. A luck that I stood ready and had time to make this admission. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
Super\u00admond in Malsch II | Sony a7 III @ 318 mm, f\/5.6, 1\/100 Sek., ISO 400<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

J\u00e4hr\u00adli\u00adches Event: Die B\u00e4rlauchbl\u00fcte<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

In May, the wild garlic bloom in my home was again at full speed. As soon as the condi\u00adtions were right, I was on the spot and made the shots I had planned. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
Bl\u00fchende B\u00e4rlauch\u00adallee | Sony a7 III @ 105 mm, f\/11, 4 Sek., ISO 100 (Focus Stacked)<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
Frisches Gr\u00fcn im Fr\u00fch\u00adlings\u00adwald | Sony a7 III @ 35 mm, f\/16, 0,8 Sek., ISO 400<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
Morgen\u00adstille in der Aue | Sony a7 III @ 31 mm, f\/11, 1\/200 Sek., ISO 1000<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
Durch\u00adschaut | Sony a7 III @ 105 mm, f\/4, 1\/640 Sek., ISO 250<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Abendrot an der Letzenbergkapelle<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

One shot I am parti\u00adcu\u00adlarly proud of is the follo\u00adwing image of the Letzen\u00adberg Chapel. Not only that it was one of the last shots of my first drone, no also tech\u00adni\u00adcally and from the image compo\u00adsi\u00adtion, it is successful in every respect. At home, the tempt\u00ada\u00adtion was great to sit on the sofa, but I grabbed the photo equip\u00adment and went again with the bike. For a few weeks now, this photo\u00adgraph has been hanging framed on my wall as a fine art print, measu\u00adring 60\u00d740 cm. It looks fantastic. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\n\t\t\t\t\t\t
\n\t\t\t\t\n\t\t\t\t<\/i>\t\t\t\t<\/span>\n\t\t\t<\/div>\n\t\t\t\n\t\t\t\t\t\t
\n\n\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\t\n\t\t\t\t\t\t\tNature photo of the summer 2022 compe\u00adti\u00adtion \u2014 Top 100 <\/span>\n\t\t\t\t\t<\/h3>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\t\u201cEvening glow over the Letzen\u00adberg Chapel\u201d reached the top 100 in the Nature Photos of Summer 2022 compe\u00adti\u00adtion by Nature Photo\u00adgraphy Germany. <\/p>\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
Abendrot \u00fcber der Letzen\u00adberg\u00adka\u00adpelle | DJI Mavic Air 2 @ 4.5 (24) mm, f\/2.8, 1\/50 Sek., ISO 100 (Vertical Pano)<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

This and all other shots of this post you can request under \u201cPrints\u201d as an art print for your wall at home directly from me. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t<\/i>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\tPrints<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Summer in Sardinia<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

I had so many ideas where we could have gone on our summer vaca\u00adtion, but my wife said, \u201cHow about Sardinia?\u201d. Of course it turned into a vaca\u00adtion in Sardinia, because who can contra\u00addict his wife? I hope of course you never have! \ud83d\ude09<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

Eignet sich Sardi\u00adnien f\u00fcr Landschaftsfotografie?<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

I had never read or seen much on the subject of land\u00adscape photo\u00adgraphy in Sardinia before, so I was skep\u00adtical at first. After a little rese\u00adarch on Google Earth and also on the Internet, I thought it could have poten\u00adtial. What can I say. I have never returned from a vaca\u00adtion with such an abun\u00addance of beau\u00adtiful shots. I can\u2019t even present all of them here on my website, that would go beyond the scope. Gladly you could but in my four-part blog post Land\u00adschafts\u00adfo\u00adto\u00adgrafie in Flip-Flops<\/a> lesen.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
Morgenrot am Strand von Stin\u00adtino | Sony a7 III @ 16 mm, f\/14, 0,8 Sek., ISO 100<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
Frag\u00admen\u00adtiert | Sony a7 III @ 16 mm, f\/16, 1,3 Sek., ISO 1000<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
Hollowed | Sony a7 III @ 16 mm, f\/16, 0,6 Sek., ISO 100<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Fokus auf kleine Szenen und intime Landschaften<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

In parti\u00adcular, I wanted to shoot more small details, more inti\u00admate land\u00adscape shots or even so-called small back\u00addrops in Sardinia and also in the future. I noticed that some\u00adtimes it\u2019s not so easy to switch. From \u201cGrand Vista\u201d to \u201cSmall Scene\u201d, so to speak. It\u2019s mainly a matter of the head, but the eye also needs to switch a little from the big expanse to the small, inte\u00adres\u00adting one. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
Wellen\u00adbre\u00adcher | Sony a7 III @ 35 mm, f\/16, 8 Sek., ISO 100<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
Wind\u00adschatten | Sony a7 III @ 100 mm, f\/16, 1\/640 Sek., ISO 2500<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Urbane Land\u00adschaften<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Of course, a little sight-seeing was also on the program. Which is why also the one or other land\u00adscape shot of city\u00adscapes emerged. The best shot I managed at the city wall of Alghero. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
Abend an der Altstadt Alghero | Sony a7 III @ 18 mm, f\/16, 15 Sek., ISO 100<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Foto\u00adgra\u00adfi\u00adsche Orte aufsu\u00adchen und nicht Fotos planen<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

For the stay in Sardinia I had sear\u00adched in advance less for compo\u00adsi\u00adtions and shots to emulate them, but I tried to find more places with poten\u00adtial, which I then tried to visit in time depen\u00adding on the weather. So I could give free rein to my crea\u00adti\u00advity. Two of these places were, for example, the Sinis Penin\u00adsula or Punta Molara.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
San Giovanni di Sinis III | Sony a7 III @ 17 mm, f\/11, 1\/4 Sek., ISO 100<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
San Giovanni di Sinis V | Sony a7 III @ 16 mm, f\/16, 1\/3 Sek., ISO 100<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
Blaue Stunde an der Isola Tavo\u00adlara | Sony a7 III @ 17 mm, f\/11, 8 Sek., ISO 100<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
Tavo\u00adlara Graveyard | Sony a7 III @ 16 mm, f\/16, 4 Sek., ISO 100<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
Land\u00adschafts\u00adfo\u00adto\u00adgrafie in Flip-Flops | DJI Mini 3 Pro @ 6.7 mm, f\/1.7, 1\/640 Sek., ISO 100<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Late summer<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Not all shots are always planned. Here at the Hermi\u00adtage in Wagh\u00e4usel we waited for a sunset red that did not appear. The shot we had in mind and planned, so we did not succeed. But we noticed the beau\u00adtiful lighting around the historic buil\u00adding after sunset. We decided to wait a few minutes and then let our drones rise. The result is this powerful top-down image: \u201cThe Ring\u201d.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
The Ring | DJI Mini 3 Pro @ 6.7 mm, f\/1.7, 1\/13 Sek., ISO 1160<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Stay at Lake Hallstatt<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

It was the first time I connected with a local profes\u00adsional photo\u00adgrapher via Youtube\/Instagram to find out the best photo spots in his home region: Chris\u00adtian Irmler<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

He was kind enough to tell me, in addi\u00adtion to the clas\u00adsics of the Salz\u00adkam\u00admergut, some not so well-known places that are always worth visi\u00adting. Thus, some breath\u00adta\u00adking shots were taken during our 7\u2011day stay in Austria. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
Morgen in Hall\u00adstatt | Sony a7 III @ 26 mm, f\/16, 10 Sek., ISO 100 (Focus Stacked)<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
Dead | Sony a7 III @ 324 mm, f\/8, 1\/800 Sek., ISO 3200<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
Ein Hauch von Yose\u00admite | Sony a7 III @ 135 mm, f\/8, 1\/400 Sek., ISO 100<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\n\t\t\t\t\t\t
\n\t\t\t\t\n\t\t\t\t<\/i>\t\t\t\t<\/span>\n\t\t\t<\/div>\n\t\t\t\n\t\t\t\t\t\t
\n\n\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\t\n\t\t\t\t\t\t\tNature photo of the summer 2022 compe\u00adti\u00adtion \u2014 Top 100 <\/span>\n\t\t\t\t\t<\/h3>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\t\u201cMyste\u00adrious Gollinger Fall\u201d reached the top 100 in the Nature Photos of Summer 2022 contest by Nature Photo\u00adgraphy Germany. <\/p>\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
Geheim\u00adnis\u00advoller Gollinger Fall | Sony a7 III @ 16 mm, f\/13, 1 Sek., ISO 100<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Sonnen\u00adauf\u00adgangs\u00adtour auf den Krippenstein<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Despite the begin\u00adning of September and the thus early times of sunrise, I once even made it to a \u201cmoun\u00adtain top\u201d. On the Krip\u00adpen\u00adstein, above Lake Hall\u00adstatt I stood in beau\u00adtiful condi\u00adtions at sunrise and a number of beau\u00adtiful shots with inte\u00adres\u00adting compo\u00adsi\u00adtions were taken. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\n\t\t\t\t\t\t
\n\t\t\t\t\n\t\t\t\t<\/i>\t\t\t\t<\/span>\n\t\t\t<\/div>\n\t\t\t\n\t\t\t\t\t\t
\n\n\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\t\n\t\t\t\t\t\t\tNature photo of the summer 2022 compe\u00adti\u00adtion \u2014 Top 100 <\/span>\n\t\t\t\t\t<\/h3>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\t\u201cFirst light at Krip\u00adpen\u00adstein\u201d reached the top 100 in the Nature Photos of Summer 2022 compe\u00adti\u00adtion of Nature Photo\u00adgraphy Germany. <\/p>\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
Blaue Stunde am Krip\u00adpen\u00adstein | Sony a7 III @ 18 mm, f\/11, 1\/4 Sek., ISO 100<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
Erstes Licht am Krip\u00adpen\u00adstein | Sony a7 III @ 20 mm, f\/11, 1\/5 Sek., ISO 100<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
Erste Sonnen\u00adstrahlen am Krip\u00adpen\u00adstein | Sony a7 III @ 16 mm, f\/11, 1\/25 Sek., ISO 100<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Border crossers<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Why border crossers? As a land\u00adscape photo\u00adgrapher, you are always a border crosser, but never beyond. You prefer to go into untouched nature, but never to the extent that you would harm it by your presence. One photo\u00adgraphs mostly at the border, or the tran\u00adsi\u00adtion between day and night. One photo\u00adgraphs at the border between land and water, moun\u00adtain and valley, \u2026 Borders create tension and emotional contrasts in photo\u00adgraphs, that\u2019s why we look for the borders to go there. To photograph. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
Grenz\u00adg\u00e4nger | DJI Mini 3 Pro @ 6.7 mm, f\/1.7, 1\/1000 Sek., ISO 100<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
Depth | Sony a7 III @ 235 mm, f\/11, 1\/500 Sek., ISO 160<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
Baum\u00adgrenze | Sony a7 III @ 105 mm, f\/4, 1\/500 Sek., ISO 160<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
Reflec\u00adtions | Sony a7 III @ 105 mm, f\/4, 1\/500 Sek., ISO 320<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

This and all other shots of this post you can request under \u201cPrints\u201d as an art print for your wall at home directly from me. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t<\/i>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\tPrints<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Autumn<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Autumn this year came late. First the relent\u00adless drought in the summer. For weeks without preci\u00adpi\u00adta\u00adtion. First trees threw off leaves already in the summer months due to the drought stress. Then, however, when it cooled down a bit and rained signi\u00adfi\u00adcantly more for some time, nature reco\u00advered a bit and it seemed as if it wanted to take the chance. So the autumn color in the forests came a little later than usual and it also lasted surpri\u00adsingly long, as autumn storms were absent for a surpri\u00adsingly long time. The tran\u00adsi\u00adtion to frost came almost abruptly. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
Thing\u00adst\u00e4tte | DJI Mini 3 Pro @ 6.7 mm, f\/1.7, 1\/400 Sek., ISO 100<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
Die Letzen\u00adberg\u00adka\u00adpelle im Nebel\u00adkleid | DJI Mini 3 Pro @ 6.7 mm, f\/1.7, 1\/240 Sek., ISO 100<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
Solid und Volatil | Sony a7 III @ 24 mm, f\/13, 0,4 Sek., ISO 400<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
In der Karl\u00ads\u00adtal\u00adschlucht | Sony a7 III @ 20 mm, f\/13, 0,4 Sek., ISO 100<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
Equi\u00adli\u00adbrium | Sony a7 III @ 105 mm, f\/5.6, 0,8 Sek., ISO 100<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Erste Versuche in neuem foto\u00adgra\u00adfi\u00adschen Feld<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

It is in my nature to always try out new fields new crea\u00adtive tech\u00adni\u00adques. So I disco\u00advered many inte\u00adres\u00adting shots on the Internet, which were taken with the so-called ICM tech\u00adnique. ICM means Inten\u00adtional Camera Move\u00adment. So inten\u00adtional camera move\u00adment during the recor\u00adding. This allows to achieve an even stronger abstrac\u00adtion, or even a pain\u00adterly effect. As if a painter had deli\u00adbera\u00adtely drawn an oil drawing more abstractly. Of course, I also made a few attempts. This picture from many others was in my opinion, however, the abso\u00adlute best. I for myself feel that the abstrac\u00adtion should not go into the unre\u00adco\u00adgnizable, but the viewer should reco\u00adgnize quite after some viewing time, what it is about. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
Autumn Contrasts | Sony a7 III @ 150 mm, f\/5.6, 0,4 Sek., ISO 100<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
Grow Or Rotten | Sony a7 III @ 291 mm, f\/8, 0,6 Sek., ISO 800 (Focus Stacked)<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
Es war einmal in Gond\u00adwana | Sony a7 III @ 105 mm, f\/13, 0,6 Sek., ISO 800 (Focus Stacked)<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
Der Bogen | Sony a7 III @ 73 mm, f\/16, 0,5 Sek., ISO 800 (Focus Stacked)<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
Bl\u00e4ss\u00adhuhn | Sony a7 III @ 339 mm, f\/5.6, 1\/500 Sek., ISO 640<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Erkran\u00adkung unserer Tochter<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Unfort\u00adu\u00adna\u00adtely, the last month of the year was marked for us perso\u00adnally with the illness of our daughter. Photo\u00adgraphy as a hobby I ther\u00ade\u00adfore had to cut back signi\u00adfi\u00adcantly, because the most important thing for us was the reco\u00advery of our child. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

In the first cold snap of winter, prevai\u00adling fog at night created a beau\u00adtiful winter land\u00adscape of hoar\u00adfrost. Forests, meadows and trees were covered with hoar\u00adfrost and shrouded in beau\u00adtiful white. A true para\u00addise for photo\u00adgraphers. At every corner beau\u00adtiful motives. In fact, I managed to get out the door one morning and take some great shots, roun\u00adding off my photo\u00adgra\u00adphic year that I had not dreamed myself so. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
Ein Hauch von Winter | Sony a7 III @ 400 mm, f\/5.6, 1\/1000 Sek., ISO 640<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Of course, my photo\u00adgra\u00adphic year 2022 was also charac\u00adte\u00adrized by photo\u00adgra\u00adphing my home country, but I was also able to visit some great more distant places and take beau\u00adtiful pictures. <\/p>","protected":false},"author":1,"featured_media":9044,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[4,53,7,55,248],"tags":[],"class_list":["post-9608","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog","category-deutschland","category-foto-locations","category-italien","category-oesterreich"],"_links":{"self":[{"href":"https:\/\/simonschoenhoff.de\/en\/wp-json\/wp\/v2\/posts\/9608","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/simonschoenhoff.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/simonschoenhoff.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/simonschoenhoff.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/simonschoenhoff.de\/en\/wp-json\/wp\/v2\/comments?post=9608"}],"version-history":[{"count":48,"href":"https:\/\/simonschoenhoff.de\/en\/wp-json\/wp\/v2\/posts\/9608\/revisions"}],"predecessor-version":[{"id":11168,"href":"https:\/\/simonschoenhoff.de\/en\/wp-json\/wp\/v2\/posts\/9608\/revisions\/11168"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/simonschoenhoff.de\/en\/wp-json\/wp\/v2\/media\/9044"}],"wp:attachment":[{"href":"https:\/\/simonschoenhoff.de\/en\/wp-json\/wp\/v2\/media?parent=9608"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/simonschoenhoff.de\/en\/wp-json\/wp\/v2\/categories?post=9608"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/simonschoenhoff.de\/en\/wp-json\/wp\/v2\/tags?post=9608"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}