{"id":11623,"date":"2023-07-07T16:48:11","date_gmt":"2023-07-07T16:48:11","guid":{"rendered":"https:\/\/simonschoenhoff.de\/?p=11623"},"modified":"2023-07-07T16:48:11","modified_gmt":"2023-07-07T16:48:11","slug":"50-tipps-fuer-den-landschaftsfotografie-anfaenger","status":"publish","type":"post","link":"https:\/\/simonschoenhoff.de\/en\/50-tipps-fuer-den-landschaftsfotografie-anfaenger\/","title":{"rendered":"50 tips for the land\u00adscape photo\u00adgraphy beginner"},"content":{"rendered":"
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50 tips for the land\u00adscape photo\u00adgraphy beginner<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tYou want to start with land\u00adscape photo\u00adgraphy? Then this is the post for you! This is about 50 important tips for the land\u00adscape photo\u00adgraphy beginner, some of which I would have liked to know myself when I started land\u00adscape photo\u00adgraphy. So be sure to read it before you start! And maybe there are also some helpful tips for more expe\u00adri\u00adenced photographers. <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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This article is also available as a video. So if reading is too tedious for you, the YouTube video is linked below.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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1. You don\u2019t need the latest and most expen\u00adsive camera for land\u00adscape photography!<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Land\u00adscape photo\u00adgraphy is a genre where the latest and grea\u00adtest equip\u00adment is abso\u00adlutely not important. Look for good noise beha\u00adviour, the ability to make manual adjus\u00adt\u00adments and the possi\u00adbi\u00adlity to shoot in raw format. With that, you are well served for the time being.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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2. buy a camera with an inter\u00adch\u00adan\u00adgeable lens.<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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This allows you to use specia\u00adlised lenses and achieve a wide range of results with the same camera.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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3. don\u2019t buy a kit lens with the camera!<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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In my opinion, kit lenses are a waste of money. It\u2019s better to spend a few euros more and invest in some\u00adthing decent. Either way, you\u2019ll notice it after a very short time.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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4. invest in a good lens!<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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I would invest in a good lens right away. For land\u00adscape, a stan\u00addard zoom with maximum aper\u00adture f4 is perfectly adequate for the first time.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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5. For land\u00adscape photo\u00adgraphy you don\u2019t need extre\u00admely high light intensity!<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Don\u2019t buy a super expen\u00adsive lens with extreme speed if you want to do land\u00adscape photo\u00adgraphy. In prac\u00adtice, the maximum focus is often between f5.6 and f13 (maybe even f16). In this genre, high speed is only really neces\u00adsary for aurora photo\u00adgraphy, and if you want to do a lot of milky way and star photo\u00adgraphy, it is at least helpful.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Diving into Nort\u00adhern Lights | Actually requires a high light inten\u00adsity of f2.8 (and more): Aurora photography<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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6. invest in a stable tripod!<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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In my opinion, one of the most important invest\u00adments. A good tripod will last you for years, longer than any camera. Don\u2019t save money at the wrong end. Putting a camera worth several hundred to a thousand euros on a \u20ac50 tripod is not a good idea.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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7. save the money for a remote trigger!<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Use smart\u00adphone trig\u00adgers or a 2\u2011second timer instead.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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8. buy a good backpack!<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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As a land\u00adscape photo\u00adgrapher, you will be on the road a lot. Being able to carry your own equip\u00adment around safely and well packed on your back is worth a lot. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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9. save the money for flashes or other arti\u00adfi\u00adcial light. <\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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In land\u00adscape photo\u00adgraphy, we normally use the available light. If you want to explore more crea\u00adtively later, you can of course include arti\u00adfi\u00adcial light sources. But for the begin\u00adning, there are more important and sensible investments.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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10. learn to reco\u00adg\u00adnise and use lighting situations. <\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Photo\u00adgraphy is pain\u00adting with light. Get to grips with diffe\u00adrent lighting situa\u00adtions. Stray light, back\u00adlight, frontal light, hard light, soft light, etc. and see how they look in your pictures. If you don\u2019t like a picture, it is often due to the wrong light for the chosen motif.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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A Moment in Spring\u00adtime | Soft light coming in slightly from the front\/side creates this fabu\u00adlously dreamy forest scene.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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This and all other shots of this post you can request under \u201cPrints\u201d as an art print for your wall at home directly from me. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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11. learn to observe<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Photo\u00adgraphers who see can create outstan\u00adding photo\u00adgraphs with \u201cbad\u201d equip\u00adment. Photo\u00adgraphers who are blind to their envi\u00adron\u00adment and have no vision cannot even achieve average results with top equipment.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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12. sharpen your eye for colour harmonies<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Pictures often have a special effect when certain colour harmo\u00adnies deter\u00admine the picture. Sharpen your eye for such situations.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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13. learn to pay atten\u00adtion to patterns and contrasts<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A picture can benefit immensely from certain contrasts and inte\u00adres\u00adting or special shapes. Learn to pay atten\u00adtion to such features.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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14. reduce<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Learn to reduce your images to the neces\u00adsary. Subject, as the main actor, and supporting actors that play to the main actor. When taking pictures, pay atten\u00adtion to what you can and should place outside the picture. This is at least as important as paying atten\u00adtion to what is in the picture.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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15. Explore the land\u00adscape and scout motifs.<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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You can find many well-known loca\u00adtions online via Google Maps, Google Earth, Loca\u00adti\u00adons\u00adcout, etc. and can plan your photos and visits in advance. However, you can only find many, espe\u00adci\u00adally unknown, motifs by being out in nature. Use Sunday excur\u00adsions, walks and hikes to discover motifs. Save them and come back for your photo in the best conditions.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Morning silence in the meadow | You can find many photo motifs online without any problems today, but some you can only find by being out in nature.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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16. save your spots.<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Set up your photo loca\u00adtions and spots in digital form right from the start so that you always have them available. Google\u2019s MyMaps service is great for this.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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17. learn weather.<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Get to grips with weather maps, fore\u00adcasts and weather apps and you\u2019ll always be in the right place for the best weather conditions.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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18. In the early days, don\u2019t get too atta\u00adched to one compo\u00adsi\u00adtion, but experiment. <\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Use diffe\u00adrent angles, vary the posi\u00adtion of the camera, espe\u00adci\u00adally in height.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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19. At the begin\u00adning, orien\u00adtate yourself on the basic rules of image composition.<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Use the golden ratio, rule of thirds and central perspec\u00adtives for a photo. This ensures a funda\u00admen\u00adtally well-cons\u00adtructed image in the first place. But in certain cases, consciously decide against it.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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20. analyse the photos you have taken.<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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When did the respec\u00adtive rule work, when did it not? When was the conscious \u201cbrea\u00adking of the rule\u201d right and when was it not?<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Opti\u00admism | Golden Section, Rule of Thirds, Central Perspec\u00adtive are important points of orien\u00adta\u00adtion at the begin\u00adning, but some scenes require deli\u00adbe\u00adrate brea\u00adking of the rules.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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21. Get fami\u00adliar with the tech\u00adnique, but don\u2019t get too lost in it.<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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You need to know what the aper\u00adture does, what effect diffe\u00adrent expo\u00adsure times have and what you can achieve with diffe\u00adrent ISO values. Ever\u00ady\u00adthing else will come late<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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22. reduce (yes, again)<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Espe\u00adci\u00adally at the begin\u00adning, ever\u00ady\u00adthing is so much. An infi\u00adnite number of settings, buttons and possi\u00adbi\u00adli\u00adties. You don\u2019t have to master ever\u00ady\u00adthing imme\u00addia\u00adtely, be aware of that. Some things you will never use, that\u2019s normal. So why over\u00adwhelm yourself with a bunch of diffe\u00adrent lenses or other gadgets at the begin\u00adning. There are photo\u00adgraphers who have only ever had one focal length for their entire photo\u00adgra\u00adphic career, maybe you are one of these people? Keep your equip\u00adment to the bare minimum, espe\u00adci\u00adally in the beginning.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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23. You only really need one filter, the rest is just \u201cnice-to-have\u201d.<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Espe\u00adci\u00adally at the begin\u00adning, you don\u2019t want to spend a lot of money. Ther\u00ade\u00adfore, don\u2019t believe any adver\u00adti\u00adsing promises made by filter manu\u00adfac\u00adtu\u00adrers. Theo\u00adre\u00adti\u00adcally, you can repro\u00adduce any filter effect digi\u00adtally. Only the effect of the circular pola\u00adri\u00adsing filter is not possible digi\u00adtally. Ther\u00ade\u00adfore, if you need a filter, this is it.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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24. Use the circular pola\u00adri\u00adsa\u00adtion filter to enhance colours and contrasts. <\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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This filter is not an \u201calways on\u201d filter, use it deli\u00adbera\u00adtely. In damp forests you reduce the reflec\u00adtions on leaves and bring the colours back into the picture. Contrasts in clouds in the sky can be enhanced. You can also use it to reduce reflec\u00adtions on the surface of water. Learn to use this special filter consciously.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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25. Use adapter rings for filters.<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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You will certainly have lenses with diffe\u00adrent filter diame\u00adters at some point. Ther\u00ade\u00adfore, it is better to spend a few euros more on a larger filter that you can adapt to lenses with smaller filter diame\u00adters using inex\u00adpen\u00adsive adapter rings. All in all, you will save a few hundred euros.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Wild garlic brook | Requires the use of the circular pola\u00adri\u00adsing filter. Reduc\u00adtion of the reflec\u00adtion of the sky in the brook and rich green of the leaves.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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26. Don\u2019t skimp on cheap filters.<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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An expen\u00adsive camera, an expen\u00adsive lens and then you put a cheap junk glass plate from a cheap filter supplier between the subject and the sensor. That makes no sense. Buy \u2014 if you can \u2014 a high-quality filter from a renowned brand (NiSi, Kase, etc.) This will give you sharp\u00adness, colour and low chro\u00admatic aberrations.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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27. Use matrix metering \/ multi-field metering<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Use matrix metering in the begin\u00adning and don\u2019t worry too much about spot metering and others. This will basi\u00adcally give you a balanced expo\u00adsure that you can get the most out of after\u00adwards. As long as you don\u2019t end up with burnt out or comple\u00adtely under\u00adex\u00adposed areas.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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28. Use the histo\u00adgram display for the ideal exposure.<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The histo\u00adgram already shows you when taking the picture whether there are too dark or too light, burnt-out areas in the photo. This maximum black, or pure white, can no longer be produced in image proces\u00adsing. On the left, the dark and on the right, the light areas of the image are added up in the diagram. If there is an accu\u00admu\u00adla\u00adtion on one side, the expo\u00adsure must be corrected. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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29. Use the expo\u00adsure compensation<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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If you have a lot of dark areas but only a little white (for example a water\u00adfall in a dark forest), your camera will aim for a medium expo\u00adsure. Parts of the water would be shown in maximum white without struc\u00adture, without any chance of correc\u00adtion in the image proces\u00adsing. You have to correct the expo\u00adsure down\u00adwards.
If you have a lot of light areas but only a little black (scene in snow or fog), the dark areas may be too dark. When resto\u00adring the image in image proces\u00adsing, you get so much noise in the image, some dark areas may also be comple\u00adtely without infor\u00adma\u00adtion. Expo\u00adsure correc\u00adtion upwards helps.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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30. learn how to create an HDR shot<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Modern cameras have the option of taking an expo\u00adsure series. In this case, the camera takes several pictures with diffe\u00adrent expo\u00adsures in one go. From under\u00adex\u00adposed to over\u00adex\u00adposed. This is always neces\u00adsary when the dynamic range of the recorded scene exceeds the dynamic range of the camera sensor. The indi\u00advi\u00addual expo\u00adsures are simply put toge\u00adther in post-proces\u00adsing, resul\u00adting in a shot with a larger dynamic range and all the details from dark to light.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Morning at the Schin\u00addel\u00adberg Chapel | A high dynamic range scene like this often requires multiple expo\u00adsures (HDR).<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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31. learn how to use post-proces\u00adsing software<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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You have to decide which soft\u00adware is right for you. Adobe Ligh\u00adt\u00adroom & Photo\u00adshop are the compre\u00adhen\u00adsive top dogs. With Luminar you might get there easier and faster, but after a while you might miss the control for all the details. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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32. edit your pictures<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The cameras of today are not yet able to repro\u00adduce the land\u00adscape scenery as you have expe\u00adri\u00adenced it and as you have raised it in yourself. And that is what it is all about. Convey to the viewer what you have expe\u00adri\u00adenced, what you felt, your moment in nature. No auto\u00admatic system and no arti\u00adfi\u00adcial intel\u00adli\u00adgence can do that. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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33. Shoote in Raw<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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In der Anfangs\u00adzeit kann es sinn\u00advoll sein, sich Raw + JPG Dateien von der Kamera ausgeben zu lassen. Gerade wenn man noch nicht so vertraut mit der Bild\u00adbe\u00adar\u00adbei\u00adtungs\u00adsoft\u00adware ist kannst du die Out-of-the-cam-JPGs gut nutzen. Aber sobald du sp\u00e4ter deine F\u00e4hig\u00adkeiten am PC eben\u00adfalls verbes\u00adsert hast, stehen dir mit den RAW-Dateien alle M\u00f6glich\u00adkeiten offen.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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34. Learn what hyper\u00adfocal distance is.<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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In land\u00adscape photo\u00adgraphy, the aim is often to achieve conti\u00adnuous sharp\u00adness from fore\u00adground to back\u00adground. Ther\u00ade\u00adfore, learn how to set the right focus point and the hyper\u00adfocal distance.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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35. learn the tech\u00adnique of focus stacking.<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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In many cases of land\u00adscape photo\u00adgraphy, you want sharp\u00adness throug\u00adhout. Some\u00adtimes focal length or aper\u00adture limit us to such an extent that we cannot get ever\u00ady\u00adthing sharp in one image. Then we have to take pictures with diffe\u00adrent levels of sharp\u00adness and merge them in post-processing.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Varenna harbour | Conti\u00adnuous sharp\u00adness without focus stacking is impos\u00adsible in this case, the flowers in the fore\u00adground were too close.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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36. playing with depth of field<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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In some focal length ranges, conti\u00adnuous sharp\u00adness is no longer possible without a huge effort. For these longer focal lengths, play around with depth of field in the fore\u00adground or background.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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37. never get bogged down in just one composition<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The light is perfect, you found a great compo\u00adsi\u00adtion and took a picture? Great! Now don\u2019t stub\u00adbornly stick to this compo\u00adsi\u00adtion. The light is perfect so try some\u00adthing else, because in a few minutes the light won\u2019t be there anymore. Espe\u00adci\u00adally in the begin\u00adning you should try out, expe\u00adri\u00adment and photo\u00adgraph, photo\u00adgraph, photo\u00adgraph! If later, as an expe\u00adri\u00adenced photo\u00adgrapher, you focus on the one master shot, that is of course perfectly legitimate.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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38. Focus also on the small details in the landscape<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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I know, one is often over\u00adwhelmed by the grand scenes of this world and despera\u00adtely wants to squeeze ever\u00ady\u00adthing onto the sensor at once. There\u2019s nothing wrong with that at first. But be sure to remember point 14 \u201cReduce\u201d! You should get into the habit of focu\u00adsing on the small details in nature. They can become your fore\u00adground in a wide-angle shot or maybe even your main subject in a macro shot and so on. That reminds me\u2026<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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39. try not to pack ever\u00ady\u00adthing into the picture at once in the wide-angle range<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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We had just said it. You\u2019re stan\u00adding at a vantage point. Great light. Mega view. In front of you rivers, forests, meadows, moun\u00adtains, clouds. You get your wide angle on the camera. Zoom in to the minimum focal length, stand there and pull the trigger. I\u2019ll tell you in a minute. These pictures are for docu\u00admen\u00adta\u00adtion purposes at most, but they are not useful for your holiday photo book or for anything else. No one knows what exactly they are supposed to be looking at. That\u2019s why you should look for some\u00adthing inte\u00adres\u00adting in the fore\u00adground. Make it the star of the shot. Get close to it. With a low posi\u00adtion you reduce the yawning emptiness in the middle ground, and so on. If there is nothing in the fore\u00adground, use a longer focal length. Pick out an inte\u00adres\u00adting detail in the land\u00adscape. A tree that is beau\u00adtifully lit by the sun, or, or, but don\u2019t pack ever\u00ady\u00adthing into your wide-angle shot at once. That won\u2019t work.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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40. Photo\u00adgraph in diffe\u00adrent lighting conditions<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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As a beginner, you should shoot in all light condi\u00adtions and analyse after\u00adwards what the special features are. Golden light, side light, back light, diffuse light through cloudy skies or fog, in the rain, high-contrast light at midday, which can be great for black & white photo\u00adgraphy, at night and the blue hour, in arti\u00adfi\u00adcial light, and so on. Gain expe\u00adri\u00adence. But the important thing is to analyse the images you take.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Light rays in the fog | Photo\u00adgra\u00adphing in all lighting condi\u00adtions means gaining expe\u00adri\u00adence in order to know later what works how under which conditions.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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41. use the time around sunset or sunrise<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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In land\u00adscape photo\u00adgraphy, we benefit from the long shadows and soft light before sunset and after sunrise. The time of the blue hour also holds many surprises. You should, of course, focus on this time.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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42. does not only take sunset \/ sunrise pictures<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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If it doesn\u2019t fit, you can still take photos at incon\u00adve\u00adnient times. Because taking photos is better than not taking photos.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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43. don\u2019t be afraid of backlighting<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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There are many myths about back\u00adlighting. The fact is, back\u00adlighting can create many great effects. It can reduce an image to minimal colours, such as golden yellow. There are possi\u00adbi\u00adli\u00adties to capture sunlight stars and even for portraits, back\u00adlighting can be very inte\u00adres\u00adting. So go ahead and try it out. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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44. use the lens hood<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Each lens is supplied with a lens hood. There is a reason for this. In the case of light coming from the side, or distur\u00adbing light from unwanted light sources, it prevents the direct inci\u00addence of these light sources into your lens and the asso\u00adciated loss of contrast. To avoid such situa\u00adtions, use the lens hood. If the main light source comes directly from the front, however, it is of no use.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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45. be prepared for bad weather<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Collo\u00adqui\u00adally bad weather can mean the perfect photo\u00adgenic weather for photo\u00adgraphers, so be prepared if you ever find yourself in the rain.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Taking a shower | It\u2019s certainly more unplea\u00adsant to deal with rain, snow or storm, but some\u00adtimes this creates the ideal photo\u00adgra\u00adphic conditions.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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46. Don\u2019t always get the tripod out.<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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You are at the loca\u00adtion. You have disco\u00advered an inte\u00adres\u00adting motif or a beau\u00adtiful fore\u00adground. Cool. Take the camera in your hand and take your first hand\u00adheld test shots. If neces\u00adsary, use auto\u00admatic mode or aper\u00adture prio\u00adrity with auto\u00admatic ISO. Move yourself and the camera up, down, side\u00adways. Tilt the camera. Take a step forward, back. How does the scene look with diffe\u00adrent focal lengths. Have you found the perfect compo\u00adsi\u00adtion? Good, then\u2026<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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47. take your time for THE shot<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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If you know what, how and why you want to take this shot, then control your settings and get the most out of the image. Remember: you\u2019re taking a picture, not a snapshot! If you need the tripod for a longer expo\u00adsure, now is the time to set it up. You need a pola\u00adri\u00adsing filter? Then put it on now and capture your master\u00adpiece on the sensor.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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48. photo\u00adgraphy is not a competition<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Don\u2019t measure yourself against others, only against yourself. Don\u2019t make colle\u00adagues in your genre your compe\u00adti\u00adtors. If you think the people around you in your photo\u00adgra\u00adphic envi\u00adron\u00adment are your compe\u00adti\u00adtors that you are trying to beat, they will notice in no time. Do you want to work in a hostile envi\u00adron\u00adment? Do you want your colle\u00adagues to share all the good oppor\u00adtu\u00adni\u00adties with you or keep them to them\u00adselves? You get what you give. We might see each other as enemies, but we should rather perceive each other as colle\u00adagues who can also benefit from each other\u2019s success.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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49. learn from your own mistakes<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Always remember. It is not important to be better than ever\u00adyone else. It is only important to be better today than you were yesterday. That\u2019s the only way to get ahead!<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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50. Taking great photos is the result of lear\u00adning hundreds of little things.<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Be aware of this at the begin\u00adning and minor setbacks will throw you off track much less often. You don\u2019t auto\u00adma\u00adti\u00adcally become a profes\u00adsional through a single work\u00adshop with a well-known photo\u00adgrapher. There is also no one golden rule. Lear\u00adning to photo\u00adgraph is an ongoing process. You can learn to press the shutter in a few hours or minutes. Seeing and photo\u00adgra\u00adphing, possibly for a lifetime.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Water features at the water tower | The result seems simple, but it required a lot of expe\u00adri\u00adence from plan\u00adning, weather fore\u00adcas\u00adting, imple\u00admen\u00adta\u00adtion to image editing. Many things that have to be brought toge\u00adther for the final result.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Closing words<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Even if the many points may \u201cover\u00adwhelm\u201d you at first. Take them to heart and read them from time to time, then you\u2019ll get off to a good start and save yourself a lot of frustration.<\/p>

I hope there were some tips for ever\u00adyone and please let the commu\u00adnity know if you have a good tip for the land\u00adscape photo\u00adgraphy beginner and write it in the comm\u00adents. Thank you for your support and see you next time.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Video of the BLOG post (in German Language)<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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I\u2019ve also put all the points toge\u00adther in a video, feel free to watch it and give feed\u00adback if you liked it!<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

You want to start with land\u00adscape photo\u00adgraphy? Then this is the post for you! This is about 50 important tips for the land\u00adscape photo\u00adgraphy beginner, some of which I would have liked to know myself when I started land\u00adscape photo\u00adgraphy. So be sure to read it before you start! And maybe there are also some helpful tips for more expe\u00adri\u00adenced photographers.<\/p>","protected":false},"author":1,"featured_media":9115,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[4,5],"tags":[266,264,265,253,26],"class_list":["post-11623","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog","category-fotografie-tipps","tag-anfaenger","tag-beginner","tag-einsteiger","tag-landschaftsfotografie","tag-tipps"],"_links":{"self":[{"href":"https:\/\/simonschoenhoff.de\/en\/wp-json\/wp\/v2\/posts\/11623","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/simonschoenhoff.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/simonschoenhoff.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/simonschoenhoff.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/simonschoenhoff.de\/en\/wp-json\/wp\/v2\/comments?post=11623"}],"version-history":[{"count":15,"href":"https:\/\/simonschoenhoff.de\/en\/wp-json\/wp\/v2\/posts\/11623\/revisions"}],"predecessor-version":[{"id":11639,"href":"https:\/\/simonschoenhoff.de\/en\/wp-json\/wp\/v2\/posts\/11623\/revisions\/11639"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/simonschoenhoff.de\/en\/wp-json\/wp\/v2\/media\/9115"}],"wp:attachment":[{"href":"https:\/\/simonschoenhoff.de\/en\/wp-json\/wp\/v2\/media?parent=11623"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/simonschoenhoff.de\/en\/wp-json\/wp\/v2\/categories?post=11623"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/simonschoenhoff.de\/en\/wp-json\/wp\/v2\/tags?post=11623"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}