{"id":10952,"date":"2023-04-27T10:25:53","date_gmt":"2023-04-27T10:25:53","guid":{"rendered":"https:\/\/simonschoenhoff.de\/?p=10952"},"modified":"2023-04-27T10:38:49","modified_gmt":"2023-04-27T10:38:49","slug":"vom-digitalen-landschaftsbild-zum-fine-art-druck","status":"publish","type":"post","link":"https:\/\/simonschoenhoff.de\/en\/vom-digitalen-landschaftsbild-zum-fine-art-druck\/","title":{"rendered":"From digital land\u00adscape image to fine art print"},"content":{"rendered":"
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<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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From digital land\u00adscape image to fine art print<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The number of images taken in the world increases year after year. Many of them sink into insi\u00adgni\u00adfi\u00adcance in the depths of data carriers. But still they exist, the snapshots or even high-calibre, well-planned, well-composed photo\u00adgraphs that are abso\u00adlutely worth prin\u00adting out in the best possible quality and hanging on the wall so that ever\u00adyone who comes to visit can see them. Espe\u00adci\u00adally photo\u00adgraphs from nature and land\u00adsca\u00adpe\u00adpho\u00adto\u00adgraphy<\/span><\/a> come to life when printed on a large format and thus amaze the viewer. On the way from camera sensor to fine art pigment print on exclu\u00adsive photo paper (or photo print behind acrylic, canvas etc.) lurk some pitfalls that I would like to explain in this blog post.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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I will explain how to convert a digital image into a printed photo and what factors to consider. We will look at the role of the colour space and the reso\u00adlu\u00adtion, which types of paper and Printer<\/a> are best suited and how to prepare the image to achieve the best result. An inte\u00adres\u00adting topic that, once you have gone through it and have your first own print in your hands, can lead to streams of enthusiasm.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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The captured image<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Already when taking the picture, one should pay atten\u00adtion to a certain stan\u00addard. Because accor\u00adding to the motto \u201cshit in, shit out\u201d, the end result can only be as good as the starting point, but not better. For this reason, I recom\u00admend, as is often the case, to take your photos in the RAW file format of your camera<\/span><\/a> this is the only way to have the best control over colours, sharp\u00adness, etc. in image processing.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Solid and Vola\u00adtile | Sony a7III + Sony FE 4\/24\u2013105 mm G @ 24 mm, f\/13, 0.4 sec, ISO 400<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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This and all other shots of this post you can request under \u201cPrints\u201d as an art print for your wall at home directly from me. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Colour space and resolution<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The two most important factors in conver\u00adting a digital image into a printed photo\u00adgraph are colour space and reso\u00adlu\u00adtion. The colour space refers to the number of colours that an image can repre\u00adsent. Humans have a certain colour space that they can see at all, shown as a coloured area in the follo\u00adwing photo. The sRGB colour space was intro\u00adduced as a stan\u00addard some years ago to reduce or stan\u00addar\u00addise colour shifts between diffe\u00adrent moni\u00adtors and devices. Photo\u00adshop and Ligh\u00adt\u00adroom , as image editing soft\u00adware, work intern\u00adally with ProPho\u00adtoRGB and thus the largest digital colour space, which parti\u00adally exceeds human vision. AdobeRGB covers more colours than the sRGB colour space, and was actually deve\u00adloped to transfer files into the print colour space CMYK, as it covers all colours of the print. However, this is where the danger curr\u00adently lurks.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Which colour space is best (suitable)?<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Often the ques\u00adtion for begin\u00adners is, do I shoot my RAWs in the sRGB or AdobeRGB colour space? Probably some will think AdobeRGB would be the better choice, as this colour space contains more colours, which is of course correct. But very few people have a monitor that can display these colours, so, to put it simply, they are proces\u00adsing colours that they cannot see and on which they have virtually no correct influence. This leads on the one hand to colour shifts when a device that can only display sRGB displays a file and on the other hand to \u201cmisin\u00adter\u00adpre\u00adta\u00adtion\u201d as far as colours in the finished print are concerned. So in most cases it is better to use the stan\u00addard RGB (sRGB). (You can find more on this topic here<\/a>. It will be some time before AdobeRGB is more or less the new stan\u00addard and you should orien\u00adtate yourself on what your screen can display to you.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Quelle: https:\/\/lernen.zoner.de\/wp-content\/uploads\/2020\/05\/05_mehr_RGB.png?fidl=2019\u201306-mag-de&utm_source=lernen.zoner.de&utm_medium=referral&utm_campaign=srgb-prophoto-rgb-und-andere-kennen-sie-sich-mit-farbraeumen-aus&utm_content=text<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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From screen with sRGB to print in CMYK<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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But even the sRGB colour space, which we mostly use for digital images, can repre\u00adsent many more colours than the CMYK colour space used for prin\u00adting. Ther\u00ade\u00adfore, if you want to print your digital image, you need to convert it to the CMYK colour space to ensure that the colours are repre\u00adsented correctly. This is done with the help of the printer driver and icc profiles adapted to paper and prin\u00adting inks. With them we can also simu\u00adlate the print result on the monitor. More about this later. It is important to under\u00adstand that in the RGB colour space, put simply, a black screen is made to glow with the help of the colours and in the CMYK colour space a white sheet is coloured.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Reso\u00adlu\u00adtion<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Very briefly, a few words about reso\u00adlu\u00adtion. Reso\u00adlu\u00adtion refers to the number of pixels in an image. For good print quality, you should make sure that the reso\u00adlu\u00adtion of the image is high enough. A reso\u00adlu\u00adtion of 300 dpi (dots per inch) is ideal for prin\u00adting. For compa\u00adrison, an image for the web often has a reso\u00adlu\u00adtion of just 72 dpi. If the reso\u00adlu\u00adtion is too low, the image will look blurred and pixel\u00adated in print.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Monitor and calibration<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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I hope you are still with me after the some\u00adwhat dry topic of colour space. Perhaps you will now realise why a good monitor that covers at least almost 100 % of the sRGB is neces\u00adsary and why the cali\u00adbra\u00adtion of this monitor is important.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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To put it bluntly, if your screen<\/a> is set too warm, you will probably process your images with too cool colours. If the monitor colours are set too cold, your image will have too warm colours. If your monitor is too bright, you will edit too dark, if your monitor is too dark, you will edit too bright, etc.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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I myself use a Benq monitor with 100% sRGB colour coverage and cali\u00adbrate it at least once a month with my Data\u00adcolor SpyderX Elite to ensure that my photos are displayed opti\u00admally on the web as they will be when printed later. When it comes to prin\u00adting, please under\u00adstand monitor cali\u00adbra\u00adtion not as a gimmick but as a necessity.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Paper and printer<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The paper you print the image on and the printer you use are also important factors. But even if you don\u2019t print yourself, but have the prints made, make sure you only trust suppliers who also offer you icc profiles for the product. Other\u00adwise, the result will not satisfy you, I am sure. With the help of icc-profiles you can simu\u00adlate the print output and the influence of the paper colour in Ligh\u00adt\u00adroom (soft\u00adproof in the deve\u00adlo\u00adp\u00adment module) and Photo\u00adshop (Ctrl+Y or view\/colour proof). You can then prepare the file a little for prin\u00adting. I usually correct the expo\u00adsure slightly upwards, increase the contrast and satu\u00adra\u00adtion if neces\u00adsary. Depen\u00adding on the paper\/printer. Then the image proces\u00adsing for prin\u00adting also fits.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Printer<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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An important point is to choose the right printer\/printing service provider. An inkjet printer is ideal for prin\u00adting photos as it offers high colour accu\u00adracy and good detail. Espe\u00adci\u00adally in the fine art prin\u00adting sector, three manu\u00adfac\u00adtu\u00adrers have emerged, namely Epson, HP and Canon, which offer a really convin\u00adcing print quality with high quality pigment ink.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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You should pay parti\u00adcular atten\u00adtion to print service provi\u00adders. Do they offer icc profiles? Are they renowned photo labs with good ratings? It is not uncommon for the chea\u00adpest to be the ones with the lowest quality. So it\u2019s some\u00adtimes worth spen\u00adding an extra euro. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Icc-Profile<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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If you print yourself, be sure to follow the printer and paper manufacturer\u2019s recom\u00admended settings. For my printer (an Epson SC-P900) and the Hahne\u00adm\u00fchle\u00a9 papers used, there are coor\u00addi\u00adnated icc profiles with recom\u00admended settings available for down\u00adload. Proceed step by step and you will have a very good print result.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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If you use a print service provider, down\u00adload the icc profiles from their home\u00adpage and try to repro\u00adduce the print result on your own cali\u00adbrated monitor. Then export a JPG or TIFF with the adjusted settings for prin\u00adting by the service provider. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Printer settings<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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When prin\u00adting from Photo\u00adshop (which I recom\u00admend), I always bring the file into the vertical arran\u00adge\u00adment before\u00adhand, as the printer also feeds the paper in this way. This way you have the least problems with incor\u00adrect crop\u00adping, alignment etc. I adjust the image size in advance to the desired final result and then go to the print menu. Now it is important that the colour hand\u00adling is set to colour manage\u00adment by Photo\u00adshop and the correct printer profile (icc) is selected. Render prio\u00adrity should be set to rela\u00adtive colou\u00adri\u00adme\u00adtric. This is used to crop and adjust colours that cannot be printed. Select the correct paper size and print quality in the printer settings and start printing.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Paper<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The subject of paper (and, indeed, other print media) is a big one where, on the one hand, personal prefe\u00adrences matter, but on the other hand, a whole world of its own emerges when you delve deeper into it. First and fore\u00admost, of course, it is the artist who uses the chosen paper to empha\u00adsise the message of his or her work and the character of the motif. Glossy or matt paper is suitable for prin\u00adting photos. Each type of paper has its own advan\u00adtages and disad\u00advan\u00adtages, these can be black and white values, diffe\u00adrent surface struc\u00adtures, but also the compo\u00adsi\u00adtion of the mate\u00adrials and sustaina\u00adbi\u00adlity is a topic that is incre\u00adasingly coming into focus, espe\u00adci\u00adally among nature photo\u00adgraphers. And it is important to choose the right paper for the desired result.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Prepa\u00adring for printing<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The steps as a short checklist:<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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  • \n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/i>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\tShoot in RAW mode<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t
  • \n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/i>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\tColour space sRGB (if your monitor does not support Adobe RGB)<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t
  • \n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/i>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\tMonitor cali\u00adbrated<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t
  • \n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/i>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\tEdit your image in image editing software<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t
  • \n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/i>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\tSelect paper<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t
  • \n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/i>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\tCreate soft\u00adproof copy with corre\u00adspon\u00adding icc profile<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t
  • \n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/i>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\tAdjus\u00adt\u00adment of expo\u00adsure, contrast, satu\u00adra\u00adtion for the print medium in the soft\u00adproof copy<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t
  • \n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/i>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\tAdjus\u00adting the size of the image to the print medium<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t
  • \n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/i>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\tVertical alignment (rotate image if necessary)<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t
  • \n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/i>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\tCheck print settings:<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
    \n\t\t\t\t
    \n\t\t\t\t\t\t\t
      \n\t\t\t\t\t\t\t
    • \n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/i>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\tColour manage\u00adment through Photoshop<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t
    • \n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/i>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\tCorrect icc profile loaded<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t
    • \n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/i>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\tRender prio\u00adrity set to rela\u00adtively colourimetric<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t
    • \n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/i>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\tCorrect paper loaded, paper and format selected in the printer settings<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
      \n\t\t\t\t
      \n\t\t\t\t\t\t\t\t\t

      Before you print the image, make sure you follow these steps step-by-step to ensure that your end result is satisfactory.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

      \n\t\t\t\t\t
      \n\t\t\t\t
      \n\t\t\t\t
      \n\t\t\t\t\t

      Conclu\u00adsion<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
      \n\t\t\t\t
      \n\t\t\t\t\t\t\t\t\t

      It can seem a little compli\u00adcated at first, because prin\u00adting digital images requires a certain amount of prepa\u00adra\u00adtion and know\u00adledge about colour space, reso\u00adlu\u00adtion, paper and printer. However, if you take these factors into account and follow a step-by-step approach, you can be sure that your high-quality printed photos will look as good as they do on screen.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

      \n\t\t\t\t
      \n\t\t\t\t\t\t\t\t\t

      If you have any addi\u00adtions or if I have forgotten some\u00adthing, please write them in the comm\u00adents. Also feel free to write me if you want me to explain the whole process in a video.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

      The number of images taken in the world increases year after year. Many of them sink into insi\u00adgni\u00adfi\u00adcance in the depths of data carriers. But still they exist, the snapshots or even high-calibre, well-planned, well-composed photo\u00adgraphs that are abso\u00adlutely worth prin\u00adting out in the best possible quality and hanging on the wall so that ever\u00adyone who comes to visit can see them. On the way from camera sensor to fine art pigment print on exclu\u00adsive photo paper (or photo print behind acrylic, canvas etc.) there are some pitfalls that I would like to explain in this blog post.<\/p>","protected":false},"author":1,"featured_media":10888,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[4,5],"tags":[254],"class_list":["post-10952","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog","category-fotografie-tipps","tag-fine-art-druck"],"_links":{"self":[{"href":"https:\/\/simonschoenhoff.de\/en\/wp-json\/wp\/v2\/posts\/10952","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/simonschoenhoff.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/simonschoenhoff.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/simonschoenhoff.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/simonschoenhoff.de\/en\/wp-json\/wp\/v2\/comments?post=10952"}],"version-history":[{"count":29,"href":"https:\/\/simonschoenhoff.de\/en\/wp-json\/wp\/v2\/posts\/10952\/revisions"}],"predecessor-version":[{"id":11433,"href":"https:\/\/simonschoenhoff.de\/en\/wp-json\/wp\/v2\/posts\/10952\/revisions\/11433"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/simonschoenhoff.de\/en\/wp-json\/wp\/v2\/media\/10888"}],"wp:attachment":[{"href":"https:\/\/simonschoenhoff.de\/en\/wp-json\/wp\/v2\/media?parent=10952"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/simonschoenhoff.de\/en\/wp-json\/wp\/v2\/categories?post=10952"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/simonschoenhoff.de\/en\/wp-json\/wp\/v2\/tags?post=10952"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}